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Rhetoric
Within Pattern Analysis, rhetoric is the persuasive portion of a literary unit based on its structure. Certain locations within each literary unit are potentially persuasive–they are presented below for the sake of analysis. Normally, many of the potential locations can be persuasive, but often not all. The student is encouraged to listen to what the Holy Spirit seems to be emphasizing.
Like the imperfect chiastic structures, imperfect parallel symmetries can also have a high impact upon a reader. When an element has been inserted, omitted, transposed to another location, or substantially varied, that then is an imperfect parallel symmetry. This makes the structure look less than totally symmetric. An additional emphasis should be found in an imperfect parallel symmetry at the place of asymmetry.
A summarization that appears near the beginning portion of a structure. For example, SUM-A-B-C-A'-B'-C'. It is similar to a closing summary which is also represented by a SUM. The opening summary should be considered emphatic.
In a parallel symmetry, these are the two A elements, A-B-C-A'-B'-C'. Sometimes these are a place of emphasis.
Also known as conjugate pairs. It is any two elements that are paired with each other. In some cases, the pair may be emphatic even though they are not in a position of emphasis such as first/first or first/last. For example, in a chiastic A-B-C-X-C'-B'-A' structure, the two B elements might add considerable conviction to the reader or listener.
In a parallel symmetry, this is oftentimes a place of emphasis. For example, in an A-B-C-D-A'-B'-C'-D' structure, the two D elements are in the last/last position.
An emphasis or turning point that is at the logical center of a structure. It is either an X in the middle of a chiasm, parallel symmetry, immediate repetition, or list is a center point, or if two elements appear at the center of a chiasm rather than an X, those two elements are the center point. For example, X is the center point of A-B-C-X-A'-B'-C', and C-C' is the center point of A-B-C-C'-B'-A'.
Some questions seem designed to ask the reader to pause and reflect on his or her own answer. In those cases, the text is intended to slow the reader down and cause them to read the context, listen to what the Spirit is nudging them, gain a fresh understanding, and then respond. Questions are many times emphatic, but it is a mistake to say that most questions are emphatic. Whether any one question is emphatic or not can be subjective.
The expected elements have been re-arranged, e.g. A-B-C-X-B'-C'-A'. When a transposition appears, the location of one element is interchanged with another; an intentional relocation. Transpositions appear in imperfect chiasms and parallel symmetries. The emphasis appears either in the element that is transposed or in the one which has been dislocated. That is, in an A-B-C-X-B'-C'-A' structure, either the B' or C' elements would be emphatic.
This IMPERFECT PARALLEL SYMMETRY is a tribute by David when the Lord defeated his enemies. In the face of defeat, David was weeping and mourning. When victory came, his attitude changed to joy and dancing.
1) The OPENING SUMMARY provides the overall theme for this psalm: the Lord rescued David from defeat by his enemies.
2) The X CENTER POINT is the effect that the Lord′s help had on David. When things were going well, he believed he would be strong. The events of this psalm show otherwise: David was not strong. Verse 7 states that David became strong like a mountain because of the Lord′s favor.
3) The C′ TRANSPOSITION, because of its modified location, emphatically states that David′s mourning is now replaced with joy and dancing. There is a picture drawn with the relocated C′ element, that the dancing David has moved. The SUM-A-B-C-X-A′-C′-B′ poetry is a reflection of his movement.
4) The three QUESTIONS in the A′ element are spoken by David to the Lord. They are part of the FIRST/FIRST elements which are His plea for mercy.
5) The B and B′ CORRESPONDING ELEMENTS carry an emphasis about praising the Lord and giving thanks to Him. Because of the transposition, the B′ element receives the LAST/LAST rhetorical position. Show More Rhetoric Show Less Rhetoric
PARALLEL SYMMETRY (IMPERFECT):
... the defeat of discouragement, replaced by joy, because of the Lord ...
a title
BEGINNING MARKER: A Psalm; a Song at the Dedication of the House. A Psalm of David. (v1A)
OPENING SUMMARY: exaltation: the Lord has defeated my enemies
SUM
I will extol You, O Lord, for You have lifted me up, And have not let my enemies rejoice over me. (v1B)
David cried out and the Lord rescued Him
A
O Lord my God, I cried to You for help, and You healed me. O Lord, You have brought up my soul from Sheol; You have kept me alive, that I would not go down to the pit. (v2,3)
sing praise and thanks
B
Sing praise to the Lord, you His godly ones, And give thanks to His holy name. (v4)
weeping from the Lord′s anger; replaced by joy
C
For His anger is but for a moment, His favor is for a lifetime; Weeping may last for the night, But a shout of joy comes in the morning. (v5)
a change of characters
SUB-UNIT MARKER: Now as for me, (v6A)
the Lord′s favor made David strong
X
I said in my prosperity, “I will never be moved.” O Lord, by Your favor You have made my mountain to stand strong; You hid Your face, I was dismayed. (v6B,7)
QUESTION: David′s humble cry to the Lord for help
A′
To You, O Lord, I called, And to the Lord I made supplication: “What profit is there in my blood, if I go down to the pit? Will the dust praise You? Will it declare Your faithfulness? Hear, O Lord, and be gracious to me; O Lord, be my helper.” (v8-10)
TRANSPOSITION: mourning turns into dancing (i.e. joy)
C′
You have turned for me my mourning into dancing; You have loosed my sackcloth and girded me with gladness, (v11)
sing praise and give thanks
B′
That my soul may sing praise to You and not be silent. O Lord my God, I will give thanks to You forever. (v12)