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Rhetoric
Within Pattern Analysis, rhetoric is the persuasive portion of a literary unit based on its structure. Certain locations within each literary unit are potentially persuasive–they are presented below for the sake of analysis. Normally, many of the potential locations can be persuasive, but often not all. The student is encouraged to listen to what the Holy Spirit seems to be emphasizing.
Most commonly it is an A-A'-B-B' arrangement. It can also be an A-A'-B-B'-C-C' or occasionally with a larger number of repeated elements such as an A-A'-A''-A'''-B-B'-B''-B''' structure. In an immediate repetition, a theme is repeated then a second theme with its repetition, a third theme with its repetition, and so on. As few as two elements may have been used, A-A'. Usually the emphasis, if there is one, is found in the X center point or in a summarization. Sometimes the second element augments the first with greater meaning, B and what's more B'.
In a parallel symmetry, these are the two A elements, A-B-C-A'-B'-C'. Sometimes these are a place of emphasis.
An element was intentionally inserted from one of the two parts. For example, the C element in A-B-C-D-D'-B'-A'. does not have a corresponding C' element, which means C is an extra. This anomaly only applies to chiastic and parallel symmetry structures. The extra is a place of rhetorical importance, whereas the corresponding element is missing.
In a parallel symmetry, this is oftentimes a place of emphasis. For example, in an A-B-C-D-A'-B'-C'-D' structure, the two D elements are in the last/last position.
An opening or closing summarization that appears within a substructure. The schematic representation is the lowercase letters sum. This summarization may appear at the end of a substructure, a-b-x-a'-b'-sum, or at the beginning, sum-a-b-c-d. All the substructure summaries are emphatic.
A frame is the repetition of a theme near the beginning and end of a structure or substructure. The surrounding layer of a frame encapsulates an inner portion. Scholars often mention a similar concept called an inclusio or inclusion where the repetition may be confined to a literary unit or it may span multiple literary units. Both portions of the frame are required. The two frame elements often do not have the same words—instead, they have the same general theme and sometimes they are antithetical. Other related names for frames are bookends, brackets, and envelopes. Oftentimes the frame contains an emphatic statement.
In a chiasm, these are the two A elements: A-B-C-C'-B'-A'. Oftentimes an emphasis may be found in these locations.
An emphasis or turning point that is at the logical center of a structure. It is either an X in the middle of a chiasm, parallel symmetry, immediate repetition, or list is a center point, or if two elements appear at the center of a chiasm rather than an X, those two elements are the center point. For example, X is the center point of A-B-C-X-A'-B'-C', and C-C' is the center point of A-B-C-C'-B'-A'.
A clarification of an element or a sequence of elements where the second part in some way removes the obfuscation that may be found in the first. An amplification can be a large increase such as the multiplication of believers in the book of Acts; the additional detail provided by its conjugate pair, seen especially when a substructure provides data that is not in the first; or in an immediate repetition where the second part adds more than just the antithesis to the first such as Kugel’s A what’s more B teaching.
A frame is the repetition of a theme near the beginning and end of a structure or substructure. The surrounding layer of a frame encapsulates an inner portion. Scholars often mention a similar concept called an inclusio or inclusion where the repetition may be confined to a literary unit or it may span multiple literary units. Both portions of the frame are required. The two frame elements often do not have the same words—instead, they have the same general theme and sometimes they are antithetical. Other related names for frames are bookends, brackets, and envelopes. Oftentimes the frame contains an emphatic statement.
A clarification of an element or a sequence of elements where the second part in some way removes the obfuscation that may be found in the first. An amplification can be a large increase such as the multiplication of believers in the book of Acts; the additional detail provided by its conjugate pair, seen especially when a substructure provides data that is not in the first; or in an immediate repetition where the second part adds more than just the antithesis to the first such as Kugel’s A what’s more B teaching.
A clarification of an element or a sequence of elements where the second part in some way removes the obfuscation that may be found in the first. An amplification can be a large increase such as the multiplication of believers in the book of Acts; the additional detail provided by its conjugate pair, seen especially when a substructure provides data that is not in the first; or in an immediate repetition where the second part adds more than just the antithesis to the first such as Kugel’s A what’s more B teaching.
In a chiasm, these are the two A elements: A-B-C-C'-B'-A'. Oftentimes an emphasis may be found in these locations.
An emphasis or turning point that is at the logical center of a structure. It is either an X in the middle of a chiasm, parallel symmetry, immediate repetition, or list is a center point, or if two elements appear at the center of a chiasm rather than an X, those two elements are the center point. For example, X is the center point of A-B-C-X-A'-B'-C', and C-C' is the center point of A-B-C-C'-B'-A'.
An opening or closing summarization that appears within a substructure. The schematic representation is the lowercase letters sum. This summarization may appear at the end of a substructure, a-b-x-a'-b'-sum, or at the beginning, sum-a-b-c-d. All the substructure summaries are emphatic.
A strongly worded directive or command that conveys the importance of doing something. In English, Hebrew and Greek, the imperative is a verb. In Greek, the spelling of the word indicates it is imperative. In English, imperatives are usually the first word in a sentence or phrase. For example, the phrase in Deuteronomy 30:19C which states, "Choose life in order that you may live, you and your descendants," is an imperative. Context is important in determining if an imperative statement is emphatic.
A frame is the repetition of a theme near the beginning and end of a structure or substructure. The surrounding layer of a frame encapsulates an inner portion. Scholars often mention a similar concept called an inclusio or inclusion where the repetition may be confined to a literary unit or it may span multiple literary units. Both portions of the frame are required. The two frame elements often do not have the same words—instead, they have the same general theme and sometimes they are antithetical. Other related names for frames are bookends, brackets, and envelopes. Oftentimes the frame contains an emphatic statement.
In a chiasm, these are the two A elements: A-B-C-C'-B'-A'. Oftentimes an emphasis may be found in these locations.
An emphasis or turning point that is at the logical center of a structure. It is either an X in the middle of a chiasm, parallel symmetry, immediate repetition, or list is a center point, or if two elements appear at the center of a chiasm rather than an X, those two elements are the center point. For example, X is the center point of A-B-C-X-A'-B'-C', and C-C' is the center point of A-B-C-C'-B'-A'.
A summarization that concludes a basic structure which is designated with the letters SUM. For example, A-B-C-A'-B'-C'-SUM. A closing summary is also known as a concluding epitome, final unit, and an epilogue. It serves two functions: to summarize and to motivate. It is always emphatic and should be easily detected.
An opening or closing summarization that appears within a substructure. The schematic representation is the lowercase letters sum. This summarization may appear at the end of a substructure, a-b-x-a'-b'-sum, or at the beginning, sum-a-b-c-d. All the substructure summaries are emphatic.
In a chiasm, these are the two A elements: A-B-C-C'-B'-A'. Oftentimes an emphasis may be found in these locations.
An emphasis or turning point that is at the logical center of a structure. It is either an X in the middle of a chiasm, parallel symmetry, immediate repetition, or list is a center point, or if two elements appear at the center of a chiasm rather than an X, those two elements are the center point. For example, X is the center point of A-B-C-X-A'-B'-C', and C-C' is the center point of A-B-C-C'-B'-A'.
Identification of the sub-unit markers was particularly helpful in parsing this structure into an IMMEDIATE REPETITION. Notice that there is a sub-unit marker at the beginning of each A, A′, B, and B′ element, as well as certain other places.
1) The SUBSTRUCTURE SUMMARY in verse 4, part of the preliminary, reveals the basic problem that God had with Belshazzar: worship of other gods. I do not believe that the last/last c elements are suggesting the problem is alcohol, per se, but some people might have an alternate understanding. The EXTRA b element, verse 2B, points to a major issue with Nebuchadnezzar, the purging of the temple.
2) The FRAME in verses 5-7 and 29 identifies how Daniel was given the authority as the third ruler of the kingdom. The Suddenly in verse 5A begins a strong redirection of the story, and the sense is exclamatory. For verses 5-7, the x CENTER POINT stresses the fear that came upon Belshazzar. The two a FIRST/LAST elements describe the mysterious finger and the promise for its interpreter. In verse 29, Daniel was found to be the only one who could read and interpret the inscription on the wall.
3) The A′ element is a CONTRAST with A. The queen′s words offered hope whereas the king′s wise men brought alarm to the king. In A′, the a′ element is an AMPLIFICATION of a, for Daniel had illumination, insight and wisdom. Likewise, the b′ element is an AMPLIFICATION of b by describing his extraordinary spiritual gifts.
4) The x CENTER POINT in the B element, verse 15, follows the theme of the A element (verse 8): the lack of wisdom of the wise men. The SUBSTRUCTURE SUMMARY follows the award of kingdom authority, repeating the themes of the frames in verses 7 and 29.
5) For the B′ element, Daniel in humility responded to the king with an IMPERATIVE command stating he wanted nothing for the interpretations. He then provided a CONTRAST between Nebuchadnezzar and Belshazzar with the CORRELATION OF SEQUENCES a-b-c-d and d′-c′-b′-a′. Note the grammatical change starting in verse 22—the pronoun changed from he to you. In the two d CORRESPONDING ELEMENTS, although Nebuchadnezzar had been prideful for many years, he had been humbled (d element in verse 21)—conversely, Belshazzar′s heart had not been humbled in d′. Nebuchadnezzar′s realization about God is stated in the x CENTER POINT, that God rules over mankind and He can do whatever He wants.
6) Within the CLOSING SUMMARY, the SUBSTRUCTURE SUMMARY states the four-word inscription. The FIRST/LAST a-a′ elements present the demise of Belshazzar′s kingdom because, and the x CENTER POINT states, Belshazzar fell short of his responsibilities. Show More Rhetoric Show Less Rhetoric
IMMEDIATE REPETITION:
... Daniel was tasked with interpreting a writing on a wall ...
a change of characters
BEGINNING MARKER: Belshazzar the king held a great feast for a thousand of his nobles, (v1A)
a large number were drinking
PRELIMINARY: and he was drinking wine in the presence of the thousand. (v1B)
bring the gold and silver vessels
a
When Belshazzar tasted the wine, he gave orders to bring the gold and silver vessels (v2A)
EXTRA: Nebuchadnezzar had purged the temple
b
which Nebuchadnezzar his father had taken out of the temple which was in Jerusalem, (v2B)
everyone might drink from the vessels
c
so that the king and his nobles, his wives and his concubines might drink from them. (v2C)
a beginning phrase
sub-unit marker: Then (v3A)
gold and silver vessels were brought out
a′
they brought the gold vessels that had been taken out of the temple, the house of God which was in Jerusalem; (v3B)
no text
b′
they drank from those vessels
c′
and the king and his nobles, his wives and his concubines drank from them. (v3C)
SUBSTRUCTURE SUMMARY: they praised six gods
sum
They drank the wine and praised the gods of gold and silver, of bronze, iron, wood and stone. (v4)
a change of flow
SUB-UNIT MARKER: Suddenly (v5A)
FRAME
CHIASM SUBSTRUCTURE: ... reward promised to the one who explains the mysterious inscription ... Show Hide
mysterious fingers wrote on the wall
a
the fingers of a man′s hand emerged and began writing opposite the lampstand on the plaster of the wall of the king′s palace, and the king saw the back of the hand that did the writing. (v5B)
fear filled the king
x
Then the king′s face grew pale and his thoughts alarmed him, and his hip joints went slack and his knees began knocking together. (v6)
the one who can explain this mystery shall have authority over the kingdom
a′
The king called aloud to bring in the conjurers, the Chaldeans and the diviners. The king spoke and said to the wise men of Babylon, “Any man who can read this inscription and explain its interpretation to me shall be clothed with purple and have a necklace of gold around his neck, and have authority as third ruler in the kingdom.” (v7)
a change of characters
SUB-UNIT MARKER: Then all the king′s wise men came in, (v8A)
the wise men could not interpret the writing so the king was greatly troubled
A
but they could not read the inscription or make known its interpretation to the king. Then King Belshazzar was greatly alarmed, his face grew even paler, and his nobles were perplexed. (v8B,9)
a change of characters
sub-unit marker: The queen entered the banquet hall because of the words of the king and his nobles; (v10A)
the queen began her speech about Daniel
frame
the queen spoke and said, “O king, live forever! Do not let your thoughts alarm you or your face be pale. (v10B)
a man with the spirit of the gods
a
There is a man in your kingdom in whom is a spirit of the holy gods; (v10C)
evidence of the spirit from the gods
a′
“and in the days of your father, illumination, insight and wisdom like the wisdom of the gods were found in him. (v11A)
Nebuchadnezzar appointed him chief
b
And King Nebuchadnezzar, your father, your father the king, appointed him chief of the magicians, conjurers, Chaldeans and diviners. (v11B)
Nebuchadnezzar appointed him because of his gifts
b′
“This was because an extraordinary spirit, knowledge and insight, interpretation of dreams, explanation of enigmas and solving of difficult problems were found in this Daniel, whom the king named Belteshazzar. (v12A)
the queen recommended Daniel
frame
Let Daniel now be summoned and he will declare the interpretation.” (v12B)
a change of characters
sub-unit marker: Then Daniel was brought in before the king. (v13A)
are you Daniel the exile?
a
The king spoke and said to Daniel, “Are you that Daniel who is one of the exiles from Judah, whom my father the king brought from Judah? (v13B)
I have heard of the spirit in you
b
“Now I have heard about you that a spirit of the gods is in you, and that illumination, insight and extraordinary wisdom have been found in you. (v14)
my wise men could not read or interpret a message
x
“Just now the wise men and the conjurers were brought in before me that they might read this inscription and make its interpretation known to me, but they could not declare the interpretation of the message. (v15)
I have heard you may be able to interpret a problem
b′
“But I personally have heard about you, that you are able to give interpretations and solve difficult problems. (v16A)
if you are able to read and interpret the message
a′
Now if you are able to read the inscription and make its interpretation known to me, (v16B)
SUBSTRUCTURE SUMMARY: then you will have authority over the kingdom
sum
you will be clothed with purple and wear a necklace of gold around your neck, and you will have authority as the third ruler in the kingdom.” (v16C)
B′
CHIASM SUBSTRUCTURE: ... Daniel′s interpretation lambasted Belteshazzar for exalting himself, not God ... Show Hide
a change of speaker
sub-unit marker: Then Daniel answered and said before the king, (v17A)
IMPERATIVE: keep your wealth
imperative
“Keep your gifts for yourself or give your rewards to someone else; (v17B)
beginning of God′s purpose for the inscription
frame
however, I will read the inscription to the king and make the interpretation known to him. (v17C)
... Nebuchadnezzar ...
God glorified Nebuchadnezzar
a
“O king, the Most High God granted sovereignty, grandeur, glory and majesty to Nebuchadnezzar your father. (v18)
everyone feared Nebuchadnezzar
b
“Because of the grandeur which He bestowed on him, all the peoples, nations and men of every language feared and trembled before him; whomever he wished he killed and whomever he wished he spared alive; and whomever he wished he elevated and whomever he wished he humbled. (v19)
Nebuchadnezzar had been proud
c
“But when his heart was lifted up and his spirit became so proud that he behaved arrogantly, he was deposed from his royal throne and his glory was taken away from him. (v20)
Nebuchadnezzar was humbled
d
“He was also driven away from mankind, and his heart was made like that of beasts, and his dwelling place was with the wild donkeys. He was given grass to eat like cattle, and his body was drenched with the dew of heaven (v21A)
Nebuchadnezzar understood God rules mankind and does whatever He wishes
x
until he recognized that the Most High God is ruler over the realm of mankind and that He sets over it whomever He wishes. (v21B)
... Belshazzar ...
a grammatical change
sub-unit marker: “Yet you, (v22A)
Belshazzar was not humbled
d′
his son, Belshazzar, have not humbled your heart, even though you knew all this, (v22B)
Belshazzar remained proud
c′
but you have exalted yourself against the Lord of heaven; (v23A)
Belshazzar has not shown fear of God
b′
and they have brought the vessels of His house before you, and you and your nobles, your wives and your concubines have been drinking wine from them; and you have praised the gods of silver and gold, of bronze, iron, wood and stone, which do not see, hear or understand. (v23B)
Belshazzar has not glorified God
a′
But the God in whose hand are your life-breath and all your ways, you have not glorified. (v23C)
end of God′s purpose for the inscription
frame
“Then the hand was sent from Him and this inscription was written out. (v24)
demarks a divine oracle
sub-unit marker: “Now this is the inscription that was written out: (v25A)
SUBSTRUCTURE SUMMARY: the inscription
sum
′MENE, MENE, TEKEL, UPHARSIN.′ (v25B)
God has ended your kingdom
a
“This is the interpretation of the message: ′MENE′--God has numbered your kingdom and put an end to it. (v26)
you do not meet God′s standard
x
“ ′TEKEL′--you have been weighed on the scales and found deficient. (v27)
your kingdom will be conquered
a′
“ ′PERES′--your kingdom has been divided and given over to the Medes and Persians.” (v28)
by explaining the inscription, Daniel was given authority over the kingdom
FRAME
Then Belshazzar gave orders, and they clothed Daniel with purple and put a necklace of gold around his neck, and issued a proclamation concerning him that he now had authority as the third ruler in the kingdom. (v29)
... Belshazzar died ...
a postscript
ENDING MARKER: That same night Belshazzar the Chaldean king was slain. (v30)